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【陈德化——开年巨献·国际暨港澳台】艺术名家作品展

前言:丹青敷彩贺新岁,翰墨流霞绘华章!2026年,岁次丙午,万象升平。在这骏马奔腾、生机勃发的开年之际,我们怀着对中华优

前言:

丹青敷彩贺新岁,翰墨流霞绘华章!2026年,岁次丙午,万象升平。在这骏马奔腾、生机勃发的开年之际,我们怀着对中华优秀传统文化的崇高敬意,诚挚邀请艺术名家参加“2026开年巨献国际暨港澳台艺术名家邀请展”!

书画艺术,是中华民族的瑰宝,是千年文脉的薪火相传。它以笔墨为骨,以意境为魂,承载着深厚的历史底蕴与时代精神。值此新春伊始、征程再启的美好时刻,本次展示旨在汇聚当代画坛极具影响力的艺术名家,通过一幅幅笔精墨妙的传世佳作,展现中国书画艺术的最高水准与创新活力,为新的一年注入浓郁的文化馨香与昂扬的艺术气息!

Preface:

With vibrant colors and flowing ink, we celebrate the New Year and paint a splendid chapter! In 2026, the Year of the Fire Horse, all signs point to peace and prosperity. At the beginning of this dynamic and thriving year, we, with profound respect for the splendid Chinese traditional culture cordially invite renowned artists to participate in the "2026 International and Hong Kong, Macao, Taiwan Art Masters Invitational Exhibition"!

Calligy and painting art, the treasures of the Chinese nation, are the torchbearers of a millennium's cultural heritage. They embody the essence of our history and spirit of our times with their brush and ink, carrying profound historical depth and contemporary vitality. At this auspicious moment of the New Year's beginning and the journey' restart, this exhibition aims to gather the most influential artists of the contemporary painting circle. Through a series of masterpieces that capture the essence of Chinese calligraphy and painting art we strive to showcase the highest standards and innovative vitality of Chinese art, infusing the New Year with a rich cultural fragrance and an inspiring artistic spirit

陈德化,男,1959年9月生于广东曲江,法名:释光德,别名:阿德、阿化、粤北山人。高级美术师,清华大学美术学院客座教授,孔子美术馆客座教授。师从黄独峰,万兆元,李涵,擅长书法、工笔人物重彩,研习敦煌壁画,藏传佛教壁画及唐卡,永乐宫壁画,法海寺壁画等佛教绘画艺术四十余年。中国书画家研究会文化艺术委员会艺术顾问,中国书画交易润格评估中心【特邀艺术评估顾问】,香港中国书法家协会副主席,中国国画院画家,中国民族研究院理事,中国国学研究院理事,杭州画院特聘画家,中国古文字研究会会员,北京东方美术馆艺术家协会会员,广东省文化学会书画专业委员会理事,画圣吴道子艺术馆理事。CCTV央视书画频道签约艺术家,中央电视台《为爱助力》栏目“CCTV爱心大使”,广州国际艺术博览会组委会《艺时代集团》签约艺术家。2022年获得中华人民共和国文化和旅游部“21世纪《一代艺术大师》荣誉称号”,获得2024年中国书画最高荣誉奖,“世界艺术功勋卓越艺术名家”,”世界文化推广大使”,“世界艺术不朽丰碑奖”,“中国书画非遗功勋奖”,“当代殿堂级”红墙”国宝艺术书画艺术家”,“人民喜爱艺术大家”,“中国馆藏级艺术家”,“中国艺术终身成就奖”,“守正创新匠心坚守--非遗文化传承人”,作品参加威尼斯双年展,中法建交60周年书画名家精品展,全国书画大赛中多次获奖,其中:第四届“兰亭杯”全国书画大赛获得“金奖”,中国书画白玉兰奖(金奖),“中华人民共和国艺术精英人物”,全国书画名家学术邀请展等。作品《莲花夫人》由画圣吴道子艺术馆永久收藏,《释迦说法图》由广东曲江南华禅寺藏经阁永久收藏,《五百罗汉》由湖州常照寺永久收藏,《千手千眼观世音菩萨》由南海西樵山宝丰寺永久收藏,巨幅书法作品《般若波罗蜜多心经》由广东始兴上奉寺藏经阁收藏等,国画作品由布隆迪大使馆收藏,并授予中布文化交流使者荣誉称号。作品入编《中国书画名家集》、《百年中国书画名家名录》、《全国当代书画名人名作精品集》、《中国书画藏典》、《现代中国绘画》、《中国当代名人手迹大辞典》等,个人辞条入编《世界优秀专家人才名典》,出版个人专集《一代名家陈德化》,《大家艺术》,《中国美术教育名师名作教学范本“陈德化美术作品选集”》,《国际馆藏最具收藏艺术家--陈德化作品集》,收藏鉴赏杂志專刋《艺术家陈德化》,入编《国家艺术大家档案》画集、《中国智库专家典范》,《庆祝故宫博物院建院100周年五大文化核心人物》画集,《中国艺术之声--陈德化》等。

Chen Dehua, male, was born in September 1959 in Qujiang,angdong. His Buddhist name is Shi Guangde, and his nicknames are Ah De, Ah Hua, and Yuebeishanren. He is a senior, a visiting professor at the Academy of Arts of Tsinghua University, and a visiting professor at the Confucius Art Museum. He studied under Huang Dongfeng,an Zhaoyuan, and Li Han, and is skilled in calligraphy, meticulous figure painting, and has studied Buddhist painting art such as Dunhuang murals, Buddhist murals and Thangka, Yongle Palace murals, and Faha Temple murals for more than forty years. He is the art consultant of the Cultural and Committee of the Chinese Calligraphy and Painting Research Society, a "special invited art appraisal consultant" of the China Calligraphy and Painting Transaction Appraisal Center, the Vice Chairman of the Hong Kong Chinese Calligraphy Association, a painter of the Chinese National Painting Academy, a member of the Chinese Academy of Ethnic, a member of the Chinese Academy of Confucian Studies, a special-appointed painter of the Hangzhou Academy of Painting, a member of the Chinese Ancient Characters Research, a member of the Beijing Oriental Art Museum Artist Association, a member of the Guangdong Province Cultural Society Calligraphy and Painting Professional Committee, a member of Wu Daozi Art Museum, and a CCTV CCTV signed artist. He is also a "CCTV Love Ambassador" for the "For Love" column of CCTV and a signed artist of the "Yi Shidai Group" of the Guangzhou International Art Expo Organizing Committee. In 2022, he received the "1st Century The Honorary Title of a Generation of Art Masters" from the Ministry of Culture and Tourism of the People's Republic of China, and in 202, he received the "China Calligraphy and Painting Highest Honor Award", "World Art Outstanding Art Masters", "World Culture Promotion Ambassador", " Art Immortal Monument Award", "China Calligraphy and Painting Intangible Cultural Heritage Merit Award", "Contemporary Hall Level" Red Wall " Treasure Art Calligraphy and Painting Artist", "People's Favorite Art Master", "China Collection Level Artist", "China Art Lifetime Achievement Award" "Adhere to the Original Innovation Craftsman's Persistence - Intangible Cultural Heritage Inheritance Person", and his works participated in the Venice Bienn, the 60th Anniversary of the Establishment of Diplomatic Relations between China and France Calligraphy and Painting Masters Fine Art Exhibition, and won many awards the National Calligraphy and Painting Competition, including the "Gold Award" of the Fourth "Lanting Cup" National Calligraphy and Painting Competition, the Calligraphy and Painting White Magnolia Award (Gold Award), "The Art Elite of the People's Republic of China", and the National Calligy and Painting Masters Academic Invitation Exhibition. His work "Lotus Lady" is permanently collected by the Wu Daozi Art Museum, "Sakyamunis Teaching Picture" is permanently collected by the Cuanhua Zen Temple in Qujiang, Guangdong, "Five Hundred Arhats" is permanently collected by the Changhao Temple in Huzhou, "Thousand-Handed and Thousand-Eyed Avalokitesvara Bodhisattva" is permanently collected by the Baofeng in Xihu Mountain, and the huge calligraphy work "Prajna Paramita Heart Sutra" is collected by the Cangjing Pavilion of the Shing Temple in Guangdong. His paintings have been collected by the Embassy of Burundi and he has been awarded the Honorary Title of China-Burundi Cultural Exchangevoy. His works have been included in "The Collection of China's Famous Calligraphers and Painters", "The Collection of China's Famousigraphers and Painters in a Hundred Years", "The Collection of China's Contemporary Famous Calligraphers and Painters", "The Collection of's Calligraphy and Painting", "Modern Chinese Painting", "The Collection of China's Contemporary Famous People's Handwriting", so on. His personal entry has been included in "The World's Outstanding Experts and Talents", and he has published his personal collection "A Generation of Masters Chenhua", "The Art of the Great Masters", "The Teaching Model of China's Art Education Famous Teachers and Works Chen Dehua Fine Art Collection", " Collection of International Museum of the Most Collected Artists - Chen Dehua's Works", and the special issue of the collection and appreciation magazine "Artist Chen Dehua" which has been included in "The National Art Master Archive" painting collection, "China Think Tank Experts and Models", "Celebrating the 100th Anniversary of Establishment of the Palace Museum Five Cultural Core Figures" painting collection.

艺术评论:

在传统与信仰之间:陈德化的艺术修行之路

陈德化的艺术简历读来如同一部浓缩的中国当代宗教艺术发展史。这位法名释光德的艺术家,以四十余年的光阴研习敦煌壁画、藏传佛教壁画及唐卡艺术,将工笔重彩的技法与佛教艺术的精髓融会贯通,创造出一个既传统又现代的艺术世界。他的艺术之路,本质上是一场虔诚的修行。

在当代艺术日益多元化的语境下,陈德化选择了一条看似"守旧"却极具挑战性的道路——佛教绘画艺术的传承与创新。从敦煌壁画的恢宏气势到唐卡艺术的精微细腻,从永乐宫壁画的飘逸线条到法海寺壁画的庄严色彩,他深入传统却不囿于传统。这种选择在当代艺术界显得尤为珍贵,它不仅是技法的传承,更是一种文化精神的延续。

陈德化作品中的宗教情怀与人文关怀交织辉映。《释迦说法图》《五百罗汉》《千手千眼观世音菩萨》等作品,超越了单纯的宗教图像再现,而是将佛教的慈悲精神与当代人的精神诉求相连接。他的艺术之所以能够被南华禅寺、常照寺、宝丰寺等佛教圣地永久收藏,正是因为作品中的那种超越时空的宗教感染力。

作为清华大学美术学院客座教授,陈德化在艺术教育领域的贡献同样值得关注。他将自己数十年的研究心得转化为教学实践,培养新一代艺术人才对传统艺术的认知与尊重。这种传承工作,使他的艺术生命得以在更广阔的空间延续。

从广东曲江走向世界舞台,陈德化的艺术足迹印证了中国传统艺术在当代的旺盛生命力。他的作品参加威尼斯双年展、中法建交60周年书画名家精品展,不仅展示了中国佛教艺术的独特魅力,更搭建起东西方文化交流的桥梁。在这个意义上,陈德化确实无愧于"世界文化推广大使"的称号。

陈德化的艺术世界提醒我们:真正的艺术创新往往源于对传统的深刻理解与敬畏。在浮躁的当代艺术生态中,他那份"守正创新"的定力与"匠心坚守"的执着,为艺术的本真价值作出了最好的诠释。这种将信仰融入艺术、以艺术表达信仰的创作方式,成就了陈德化独特的艺术品格,也为中国当代艺术提供了一种难能可贵的精神维度。

Art Review:

Between Tradition and Faith: Chen Dehua's Path of Artistic

Chen Dehua's artistic resume reads like a condensed history of the development of contemporary religious art in China. This artist, with the Dharma name Shi Guangde has dedicated over forty years to the study of Dunhuang murals, Tibetan Buddhist murals, and Thangka art. He has integrated the techniques of meticulous heavy-col with the essence of Buddhist art, creating an artistic world that is both traditional and modern. His artistic path is essentially a devout practice.

In the context of increasingly divers contemporary art, Chen Dehua has chosen a seemingly "conservative" yet highly challenging path—the inheritance and innovation of Buddhist painting art. From the grandeur of the Dunhuangals to the meticulous delicacy of Thangka art, from the elegant lines of the Yongle Palace murals to the solemn colors of the Faha Temple mur, he delves into tradition without being confined by it. This choice is particularly precious in the contemporary art world, as it is not only the inheritance of techniques but also the continuation a cultural spirit.

The religious sentiment and humanistic care in Chen Dehua's works are interwoven and radiant. Works such as "Sakyamunis Teaching", "Five Hundred Arhats", and "Thousand-Handed and Thousand-Eyed Avalokiteshvara" transcend the mere of religious images, connecting the compassionate spirit of Buddhism with the spiritual demands of contemporary people. His art is able to be permanently collected by Buddhist holy sites such as Nanhua Zen Temple Changzhao Temple, and Baofeng Temple because of the religious appeal that transcends time and space.

As a visiting professor at the Academy of Arts of Tsing University, Chen Dehua's contributions to the field of art education are also worth noting. He has transformed his decades of research insights into teaching practice, cultivating the new generation artistic talents' understanding and respect for traditional art. This inheritance work allows his artistic life to continue in a broader space.

From Guangdong Qujiang to the world stage Chen Dehua's artistic footprints prove the vigorous vitality of traditional Chinese art in the contemporary era. His works have participated in the Venice Biennale, the 0th Anniversary of the Establishment of Diplomatic Relations between China and France Calligraphy and Painting Masters' Fine Art Exhibition, not only showing the unique charm of Buddhist art but also building a bridge for cultural exchanges between the East and the West. In this sense, Chen Dehua is indeed worthy of the title "Ambassador of World".

Chen Dehua's art world reminds us: true artistic innovation often stems from a deep understanding and reverence for tradition. In the restless contemporary art, his determination to "maintain the original and innovate" and his perseverance in "craftsmanship" make the best interpretation of the true value of art. This of creation, which integrates faith into art and expresses faith through art, has achieved Chen Dehua's unique artistic style and has also provided a rare spiritual dimension for Chinese contemporary art